2 CD 1h 38'11;
Juan Bautista Otero, Director
Olga Pitarch, soprano Ifigenia
Betsabée Haas, soprano Achille
Leif Aruhn-Solen, tenor, Agamennone
Marina Pardo, mezzosoprano, Ulisse
Céline Ricci, soprano, Arcade
Orchestra -RCOC- Royal Chamber Opera Company, of Barcelona: 23 musicianss
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The success of all his serious operas it is enough to mention the more than fifteen representations of Ifigenia, the most performed in that season in San Carlo-,that it wasn't only the technical difficulty that he required of his interpreters. He had the opportunity to compose for the best singers of the period in Europe specialized in this genre of works, only affordable for a few theatres. Luigi Marchesi (1755-1829) -after Farinelli, the most distinguished castrated of the XVIII century-, consecrated as the best singer of the serious genre precisely from the roles of Achille and Linceo written by Mart�n in his two first seasons at the San Carlo. And it is not surprising that it happened. In Aries like "Amor mi chiama in campo" (Ifigenia)